Rockytopman
MuuuuuNey!!!!!!
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- Jul 26, 2009
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There is only one solution...gotta kill the guy who killed the kid, right? Also, the motorcycle tracks are worrying...
If the kid is dead, you have to leave him out in the open, right? You don't want a missing child search on your hands because they will inevitably find the tanks, or at least where the tanks were. Dump the kid and the bike a few miles away and lose the gun. It was windy as hell when they were first at the bridge so tracks might not be too big of an issue. But a missing child search would certainly check all areas near the train tracks and expose the tanks.
If the kid is still alive, which i admit is a small possibly, I think it is an even bigger problem. What do you do with him now? Kill him? Kidnap him? The discussion about killing him would just drive Walt and Jessie farther apart but you cant just let a kid that got shot at just hop back on his bike and tell his parents about a bullet grazing his helmet with out bringing cops to the bridge.
If the kid is dead, you have to leave him out in the open, right? You don't want a missing child search on your hands because they will inevitably find the tanks, or at least where the tanks were. Dump the kid and the bike a few miles away and lose the gun. It was windy as hell when they were first at the bridge so tracks might not be too big of an issue. But a missing child search would certainly check all areas near the train tracks and expose the tanks.
If the kid is still alive, which i admit is a small possibly, I think it is an even bigger problem. What do you do with him now? Kill him? Kidnap him? The discussion about killing him would just drive Walt and Jessie farther apart but you cant just let a kid that got shot at just hop back on his bike and tell his parents about a bullet grazing his helmet with out bringing cops to the bridge.
That certainly would make for a poetic arc for the entire series.
Here's the directors cut of last weeks ending.
Breaking Bad - Dead Freight End Scene Director's Cut - YouTube
